EXHIBITION

Tyler Cala Williams, Elastic Synapse
at/with PARTICIPANT INC
Sept 13 – Oct 25, 2026
Gallery Hours: Wednesday – Sunday, noon-7pm

Opening Reception
Sunday, Sept 13, 7-9pm
116 Elizabeth Street, Floor 1, New York, NY 10013

Elastic Synapse is multidisciplinary artist Tyler Cala Williams’ first solo exhibition, as well as their first body of oil paintings. Drawing from personal memory and diasporic visual culture, Williams’ practice examines what is lost, mutated, and newly formed as images move across mediums. Consisting of oil paintings and mounted prints, this exhibition marks a shift in Williams’ previous digital practice that focused on disrupting Western European surrealist works by inserting themselves or their friends as twisted thoughts into the composition. This work is more personal. 

Through pixelation, moiré patterning, perspectival distortion, hyperreal rendering, and chromatic disruption, Williams destabilizes fixed notions of representation and interrogates how Black visuality circulates within contemporary image economies. By embracing slippage and material transformation, their work reanimates the Black imagination as a space of fugitivity, care, and alternative possibility.

Williams culls images in a process that feels like spiritual image mining. While gathering images, they give themself and the images permission to gravitate and speak to one another freely. Bits of photos off the internet are digitally rendered with bits of memes, photos from their own camera roll, and/or parts of magazine editorials to then be devotionally rendered into meticulous oil paintings on canvas, honoring the connection that every visual element sparked in Williams’ brain and body. Like intrusive thoughts nestled in brain corners finally given a little room to roam and play with fractal memories.

FULL PRESS RELEASE

Tyler Cala Williams is an American artist based between New York, Chicago, and New Jersey. Born and raised in Trenton, New Jersey, Williams received a BFA in Photography from Parsons School of Design at The New School in 2020. Williams has exhibited internationally including at Wunika Mukah Gallery, Lagos, Nigeria; Balance Club Culture Festival in Leipzig, Germany; and Espace Voltaire in Paris, France; and nationally at Art Basel Miami with Jeffrey Deitch; MOCADA Brooklyn; and the Kennedy Center in Boston, Massachusetts to name a few. Their writing has appeared in publications associated with the Hammer Museum at UCLA, and their artwork has been featured in BOY.BROTHER.FRIEND, King Kong Magazine, Paper Magazine, Circus Magazine, GUT Magazine, The Face, It’s Nice That, and LN-CC. In addition to their studio practice, Williams has created album artwork for recording artists such as LYZZA, Anysia KYS, and Liv.e, among others.

Tyler Cala Williams, When You Remember, 2024.

EXHIBITION

Keioui Keijaun Thomas, Nasty & Full
at/with Performance Space New York
Oct 5-Oct 31, 2024

Performance, Come Hell or High Femmes
Oct 31, 8pm
Performance Space New York

Keioui Keijaun Thomas: Nasty & Full presents the New York debut of a body of work four years in the making, site-specifically installed for the Keith Haring Theater at Performance Space New York. Through a fusion of voice, video installation, sculpture, and performance, Thomas seeks new pathways to understand and express the foundationally transient nature of being and becoming a doll—a trans femme so flawless and unbound she is no longer considered real.

FULL PRESS RELEASE & CHECKLIST

PRESS

Artist is lit with bright red, seated on a black block adjusting her unit surrounded by audience.

Keioui Keijaun Thomas, Come Hell or High Femmes, 2024 performance at Performance Space New York. Photo by Guario Rodriguez Jr.

Image Caption: Keioui Keijaun Thomas, I ONCE SAID I KNEW YOU WOULD… 2019. Credit: Special Iteration: My Last American Dollar UK, Photo by Andrea Abbatangelo, 2019.

Visual description: An image of the artist on all fours on the floor photographed from behind. The image is bathed in red light and the artist is only wearing a pair of black, thigh-high stockings and a thong. The words “I ONCE SAID I KNEW YOU WOULD" are inscribed on a board on the wall in the center of the image, facing the artist.

EXHIBITION

Keioui Keijaun Thomas: Hands Up, Ass Out
June 6–July 18, 2021 
at/with Participant Inc, New York

Hands Up, Ass Out is New York-based artist Keioui Keijaun Thomas' first long-form exhibition, and the culmination of a body of work six years in the making, from 2014–2020.

Amassed from iterations of writing, image-making, performances, and choreographies, Hands Up, Ass Out showcases Keioui's journey toward self-affirmed transcendence from the tokenization that exploits and oppresses young, talented, and femme black bodies.

PAST EVENTS
Performance Video - My Last American Dollar: FINAL RUN
Performance video streamed July 12–July 17, 2021 on participantafterdark.art

New Work Premiere - Come Hell or High Femmes, 2021, in three acts
24 Hour video premiere of Act 3. & Act 2.
Streamed for one night only / July 17, 11:59 PM–July 18, 11:59 PM EST
on participantafterdark.art

Come Hell or High Femmes: 
Act 3. I Looked Up at the Sky and I, Imagined All of the Stars Were My Sisters,2021
Act 2. The Last Trans Femmes on Earth: Dripping Doll Energy! 2021
Act 1. She From Flurda, but some Call Ha Florida,(forthcoming)

Thomas’ new series of video poems/performances were filmed during, around and throughout the current global pandemic. In this series, Thomas reimagines how we can hold each other; care for ourselves; and honor our time and energy, while moving through uncharted territories with a plethora of possibilities.

Each act was filmed and edited by/with one friend, creating portals to new worlds where black and brown trans people are able to thrive, heal, and transcend. Taking up space. This is a love letter; a gentle reminder; a kiss up into the sky; a guiding light for black and brown femmes to know that we are here. We have always been here. Everything the light and shadow touches is ours, too. 

FULL PRESS RELEASE

CHECKLIST & GUIDE

PRESS: NYT, MUSÉE MAGAZINE

Keioui Keijaun Thomas: Hands Up, Ass Out, curated by Shehab Awad as Executive Care*, 2021, installation view at Participant Inc, New York. Photo: Daniel Kukla.

Keioui Keijaun Thomas: Hands Up, Ass Out 2021, installation view at Participant Inc, New York. Photo: Daniel Kukla.

Window View: Covered in Lube, 2014–16, 2021, in Keioui Keijaun Thomas: Hands Up, Ass Out, curated by Shehab Awad as Executive Care*, 2021 at Participant Inc, New York. Photo: Daniel Kukla.Visual Description: A towering sculpture made up of a large, single-pane window stands atop three concrete cinder blocks. Three red, plastic buckets with gold yarn sit on the window’s top ledge. The words “I KNEW U WOULD BE HERE” are inscribed in lube on the glass panel. A monitor playing a video is visible through the glass.

Window View: Covered in Lube, 2014–16, 2021, Keioui Keijaun Thomas: Hands Up, Ass Out 2021, installation view at Participant Inc, New York. Photo: Daniel Kukla.

Visual Description: A towering sculpture made up of a large, single-pane window stands atop three concrete cinder blocks. Three red, plastic buckets with gold yarn sit on the window’s top ledge. The words “I KNEW U WOULD BE HERE” are inscribed in lube on the glass panel. A monitor playing a video is visible through the glass.

Keioui Keijaun Thomas: Hands Up, Ass Out, curated by Shehab Awad as Executive Care*, 2021, installation view at Participant Inc, New York. Photo: Daniel Kukla. Visual Description: A sheer, silk panel hangs from the exhibition space’s ceiling, depicting the artist naked and vulnerable with their fists raised, ready to fight.

Keioui Keijaun Thomas: Hands Up, Ass Out 2021, installation view at Participant Inc, New York. Photo: Daniel Kukla.

Visual Description: A sheer, silk panel hangs from the exhibition space’s ceiling, depicting the artist naked and vulnerable with their fists raised, ready to fight.

Case 1: Prints, Ephemera, Documentation, 2021 (detail) in Keioui Keijaun Thomas: Hands Up, Ass Out, curated by Shehab Awad as Executive Care*, 2021 at Participant Inc, New York. Photo: Daniel Kukla.

Case 1: Prints, Ephemera, Documentation, 2021 (detail) in Keioui Keijaun Thomas: Hands Up, Ass Out 2021, installation view at Participant Inc, New York. Photo: Daniel Kukla.